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The pace is slow and the movie does get stretched in the second half. In fact what sets the film apart from the daily soaps on the idiot box (each one of which is based on an extra-marital affair) is that the performances never get overtly melodramatic even in the emotional outbursts. If you go to compare KANK with Karan's earlier works, the tone of the film is more like a Kal Ho Naa Ho (which was written by Karan) as compared to his over-dramatic first two directions. The scene where Rani Mukherjee tries to impersonate a BDSM girl is outrageously hilarious. While a Karan Johar film is broadly envisaged as a compulsive tearjerker, KANK has sufficient light-hearted frivolous relief in the first half. Also the screenplay balances the bittersweet act and maintains the equilibrium. Niranjan Iyenger's witty one-liners compliment the funny scenes without a glitch. Dialogues vary from the tongue-in-cheek lines in the lighthearted scenes to the regular ones in the emotional outbursts. The comic scenes are very well written while the emotional ones are deftly acted and executed. Shibani Bhatija who earlier wrote the overrated Fanaa this year, co-writes a more cohesive, convincing and a satisfying screenplay for KANK with Karan Johar.
Karan always had heart in his films here he puts in a lot of soul too. But as I earlier said, apart from the visual dazzlery, the movie clicks because it has something to say in which it succeeds. Be it Anil Mehta's eye-pleasing camera-work, Sharmista Roy's appealing art design, Manish Malhotra's fashion fiesta or Farah Khan's cosmic choreography, everyone is just perfect in their department. The visual appeal in a Karan Johar film is, like always, intricate and immaculate. The story, as everybody and their second cousin by now know, is about an extra marital affair. In terms of its plot outlines, while Kuch Kuch Hota Hai was an overrated triangular love story and Kabhi Khushi Kabhie Ghum was just another conventional family drama, Kabhi Alvida Naa Kehna has a comparatively sensible and substantial story to back the candy floss on the screen. It's about matured mindsets and moving ahead with times.
KABHI ALVIDA NAA KEHNA 2006 DOWNLOAD SKIN
A bold film is not about sex, skin or sleaze.
25 years later, Karan Johar makes a film on extra-marital affairs (am not drawing any parallels between the two films whatsoever) and the culmination of the plot makes it the so called 'different' or a 'bold' film. The culmination of its theme, however, was as per the Indian sensibilities of those times.
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Plus a story this time! In 1981, Yash Chopra made Silsila on extra-marital affairs that was considered ahead of its times. Kabhi Alvida Naa Kehna has all the regular contents of a Karan Johar extravaganza.
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Thinking that he is perfect with the game of soccer he accepts a contract for $5 million to play professional soccer, but meets with an accident, fractures his leg, and gets disqualified. He is a soccer star and is married to Riya, who works and models for a magazine. Dev Saran lives in the United States of America.